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KODO ONE EARTH TOUR: MYSTERY, THE SECOND WORK CREATED BY

ARTISTIC DIRECTOR TAMASABURO BANDO TO TOUR USA AND CANADA

JANUARY 2015 THROUGH MARCH 2015

Kodo, the Taiko drumming pioneers from Japan, to share the wondrous and sacred “Mystery”

that lies deep within Japanese folk arts with audiences of all ages throughout North America.


hekireki01_print_photo_credit_Takashi_Okamoto


Kodo One Earth Tour: Mystery, the second work created by artistic director Tamasaburo Bando, revered kabuki icon and a National Living Treasure of Japan, will be on tour across the U.S. and Canada from January through March 2015.

The Chicago Tribune declares, “Superlatives don’t really exist to convey the primal power and bravura beauty of Kodo,” while The New York Times raves, “Kodo reminds its audience that, above all, its music is a matter of flesh and blood, wood and stretched skin. Kodo can raise the roof, but the group can also show extraordinary finesse.”

Taking Kodo to yet another dimension, this new work transcends the real world to enter one where sacred beasts appear. This theatrical experience, which combines high energy percussion and dance, will take the audience on a journey into darkness, to a place that conjures the centuries-old spirit of the Japanese people and their indigenous nature. Through the virtuosity of Kodo, the Mystery will unfold in this spectacular new production.

“This time, I created a piece with the idea that theatre-goers would experience the mood of mystery that one experiences at a temple or a shrine, or when you go into the forest - places that are removed from daily life. A feeling that emerges from deep darkness,” says artistic director Tamasaburo Bando. “While it’s a drum concert, playing as only drums can play, we’ve added plenty of visuals as well,” he adds.

Kodo has seen a departure from its traditional costume styles and musical direction since Tamasaburo Bando took the helm as full-time artistic director in 2012. Mystery represents a future evolution of the group’s new expressions and promises to capture the imagination of both seasoned and first-time viewers alike to uncharted artistic territory.

Since the group's debut at the Berlin Festival in 1981, Kodo's ongoing "One Earth Tour" has brought the experience of the taiko to 46 countries around the world for close to 4,000 total performances. Spending about a third of the year overseas, a third touring in Japan and a third resting and preparing new material on Sado Island, Kodo strives to both preserve and reinterpret traditional Japanese performing arts as they develop new styles that transcends all genres and borders. Since 1988, the group has had the pleasure of inviting artists they have met in their travels back to their home of Sado Island to engage in unprecedented musical collaborations at the troupe’s annual international music festival.

In Japanese the word "Kodo" conveys two meanings: Firstly, "heartbeat" the primal source of all rhythm. The sound of the great taiko is said to resemble a mother's heartbeat as felt in the womb, and it is no myth that babies are often lulled asleep by its thunderous vibrations. Secondly, read in a different way, the word can mean "children of the drum," a reflection of Kodo's desire to play the drums simply, with the heart of a child.  www.kodo.or.jp

 

      Kodo One Earth Tour: Mystery 2015 North American tour dates are as follows:

January 28

Bellingham, WA

Mount Baker Theatre

mountbakertheatre.com

January 29

Vancouver, BC

Queen Elizabeth Theatre

caravanbc.com

January 31- February 2

Berkeley, CA

Cal Performances

calperformances.org

February 3

Los Angeles, CA

Walt Disney Concert Hall

laphil.com

February 4

Santa Barbara, CA

University of California, Santa Barbara Arts & Leisure

artsandlectures.sa.ucsb.edu

February  6

La Jolla, CA

La Jolla Music Society

ljms.org

February 8

Tucson, AZ

UA Presents

uapresents.org

February 10

Mesa, AZ

Mesa Arts Center

mesaartscenter.com

February 12

Las Vegas, NV

The Smith Center for the Performing Arts

thesmithcenter.com

February 15

Dallas, TX

Live at the Music Hall

liveatthemusichall.com 

February 17

Tyler, TX

The Cowan Fine and Performing Arts Center

cowancenter.org

February 19

Austin, TX

Austin Theatre Alliance

austintheatre.org

Febriary 20

San Antonio, TX

Tobin Center for the Performing Arts

tobincenter.org

February 22

Manhattan, KS

McCain Auditorium

k-state.edu/mccain

February 24

Lawrence, KS

Lied Center of Kansas

lied.ku.edu

February 26

Germantown, TN

Germantown Performing Arts Center

gpacweb.com

February 28

Richmond, KY

EKU Center for the Arts

ekucenter.com

March 3

Rochester, NY

Eastman School of Music

esm.rochester.edu/Eastman-presents

March 5

Quebec, QC

Grand Theatre de Quebec

 grandtheatre.qc.ca

       March 7               

Montreal, QC

Place des Arts

placedesarts.com/index.en

March 9

Ottawa, ON

National Arts Centre

nac-cna.ca

March 12

Toronto, ON

Sony Center for the Performing Arts

sonycentre.ca

March 14

Urbana, IL

Krannert Center for the Performing Arts

krannertcenter.com

March 16

Chicago, IL

Symphony Center Presents

cso.org

March 19-21

New York, NY

Brooklyn Academy of Music

bam.org/music/2015/mystery

March 24

Newport News, VA

Ferguson Center for the Arts

fergusoncenter.org

March 26

Savannah, GA

Savannah Music Festival

          savannahmusicfestival.org

March 28

Atlanta, GA

Rialto Center for the Arts

rialto.gsu.edu

March 29

Athens, GA

UGA Performing Arts

pac.uga.edu

 

Multi-platinum blues-rock band opens up about moving on without Malcolm Young and Phil Rudd


By  | November 14, 2014

The first bad sign came even before AC/DC started recording their new album, Rock or Bust, in Vancouver last May: The group's longtime drummer, Phil Rudd, was 10 days late for the sessions. "One minute he was coming, then he wasn't, then he was," lead guitarist Angus Young recalls. "We're not a band that likes to wait around." At one point, Young says, producer Brendan O'Brien decided Rudd had one last chance to show up." Brendan said, 'If he's not here by Friday, there will be another drummer there.'"

Relatedacdc
Readers' Poll: The 10 Best AC/DC Songs

Rudd arrived and, Young says, "did his job." But, the guitarist notes, "I've seen him in better shape. It was not the Phil we had known, after we had finished the last tour. He'd let himself go." In October, Rudd missed an AC/DC photo and video shoot in London. Then, on November 6th, he was arrested at his home in New Zealand, accused of murder-for-hire. The charge was dropped for lack of evidence. But Rudd is still accused of threatening to kill, and of possession of methamphetamine and cannabis.

In a press statement, AC/DC strongly implied they were ready to go on the road without him: "Phil's absence will not affect the release of our new album, Rock or Bust, and upcoming tour next year." Young confirms this in an interview a week after Rudd's arrest: "The drum situation is a question mark. But we will definitely be out there." The guitarist confesses he was caught off-guard by the extent of Rudd's troubles. "But our problems had begun even before the situation he's in now. And our thing was we were going forward." 

AC/DC
Cliff Williams, Brian Johnson, Stevie Young and Angus Young (Photo: Columbia Pictures)

Young is referring to a bigger critical hole in AC/DC's boogie power: the loss of Malcolm Young, Angus' older brother and the group's iron-willed rhythm guitarist, who is suffering from dementia and is in full-time care at an undisclosed facility in Australia. Malcolm, 61, does not play on Rock or Bust and is permanently retired from the multi-platinum blues-rock band he founded, with Angus, in Sydney in 1973. That leaves Angus – 59 and still tearing across stages in his trademark schoolboy shorts – to guide singer Brian Johnson, bassist Cliff Williams and new guitarist Stevie Young, Malcolm and Angus' 58-year-old nephew, into an uncertain future. But "Mal always wanted the music to go on," Johnson says. "And I'm not going to say no."

"It's something that had actually been happening for a long time," Angus says, speaking publicly for the first time about Malcolm's condition during an earlier conversation in October. The symptoms – lapses in memory and concentration – "had surfaced even before the last project," AC/DC's 2008 album, Black Ice. But Angus says Malcolm was "still capable of knowing what he wanted to do. I had said to him, 'Do you want to go through with what we're doing?' And he said, 'Shit, yeah.' " Malcolm, Angus points out, "liked to finish what he started."

Hunched over a cup of tea in a London hotel, speaking in a soft, resigned growl, Angus reveals that Malcolm was already in treatment during his last tour with AC/ DC, from 2008 to 2010. "He got good help, good medical care," Angus says. Malcolm had to "relearn a lot of things," including riffs he had created for AC/DC's biggest songs, "which was very strange for him. But he was always a confident guy, and we made it work."

Malcolm is eerily present on Rock or Bust. The 11 songs are credited to Young-Young, largely built by Angus from guitar hooks he and Malcolm accumulated while writing previous AC/DC records. Angus did not play any of the new material, as he worked on it, for Malcolm. "With the condition he got in, that kind of faded," Angus concedes. He sought guidance from another older brother, George, a member of Sixties Australian rockers the Easybeats who co-produced AC/DC's early albums. But ultimately, Angus says, "You've got to make the decision yourself: 'What am I doing?' " He and Malcolm, both born in Glasgow and raised in Sydney, answered that question together in 1980 after the death of then-AC/DC singer Bon Scott; they hired Johnson, an ebullient Englishman with a sandpaper howl, and made their biggest-selling album, Back in Black. This time, in late 2013, Angus turned to Stevie, the son of his and Malcolm's oldest brother (also called Stevie). Stevie had filled in for Malcolm on a 1988 tour, when the latter took a sabbatical to beat his alcoholism. 

Angus, Malcolm and Stevie were close as boys, attending school together in Australia; later, Malcolm produced demos for some of Stevie's bands. "Angus filled me in on what was going on with Mal," Stevie says. "It wasn't going to be the band the way it was – that was impossible." Stevie, who lives in Birmingham, England, flew to Australia to visit Malcolm, "to see the situation for myself. Mal was physically fine," he contends. "But I don't think he could have done the tour." 

AC/DC
Phil Rudd, Bon Scott, Angus Young, Mark Evans, Malcolm Young in 1976. (Photo: Michael Putland/Getty)

"It was awful and great at the same time," Johnson, 67, says of making Rock or Bust. "Angus must have felt strange playing these tunes without Malcolm." But Johnson recalls passing Stevie's hotel room at night "to see how he was doing, and he'd have his things out, doing the songs, learning his riffs. He worked his socks off to make sure he was on the money."

"The super-important thing about AC/DC is the left-right thing in the guitars," O'Brien says. "Stevie understood that. He put on the same guitars, through the same rig, and got the same sound." Williams believes that was inevitable. Stevie is, after all, a Young. "It's in his blood," the bassist, 64, says. "And it shows."

Everything else about AC/DC, including any life they may have after Rock or Bust and the 2015 tour, is up to Angus – alone. "This is Angus' passion, but he doesn't have Malcolm to lean on," O'Brien observes. "At some point, he has to decide, 'Is this something I want to keep doing, or have I said my piece?' "

Malcolm has not heard Rock or Bust. "He still likes his music," Angus says. "We make sure he has his Chuck Berry, a little Buddy Holly." But Angus believes he is pressing ahead on the record and the road – without Rudd if necessary – according to his brother's wishes and standards. "Look, even with his health, Malcolm was touring until he couldn't do it anymore."

Rudd's arrest "is a big blow to us," Angus admits. But, he repeats, "we will definitely be out there. We are committed to this."



Read more: http://www.rollingstone.com/music/features/acdc-malcolm-young-phil-rudd-rock-or-bust-20141114#ixzz3J6lMr51d 
Follow us: @rollingstone on Twitter | RollingStone on Facebook
 

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College of Contemporary Music Is Delivering Innovative Digital Curriculum to Students on Mobile Devices
 


Musicians Institute, the College of Contemporary Music, has partnered with app publisher WBH MusicWorks to create the new online MI Bookstore at www.musiciansinstitutebookstore.com. As part of the school’s paperless Bring Your Own Device (BYOD) policy, students in MI’s Performance programs for Guitar, Bass, Drums, Keyboard Technology and Vocals can purchase and download interactive textbooks in digital form via WBH’s mobile and desktop Apps. Beginning with the current Fall 2014 academic quarter, materials can be purchased individually or in groups organized by programmatic quarters.
 
“Musicians Institute is dedicated to continually expanding our state-of-the art educational offerings with the latest technology to foster an efficient, 24/7 media-rich learning environment,” said Donny Gruendler, Vice President of Academic Affairs at Musicians Institute. “Our e-book initiative marks the first fully fledged curricular redesign in the College’s history and—most importantly—the new MI Bookstore provides a great resource to help students learn through the multiple mobile and desktop devices they utilize every day.”
 

MI Bookstore materials can be downloaded on each student’s chosen device—including mobile phones, tablets and laptops—and are compatible with iOS, Android & Desktop Reader platforms. As part of Musicians Institute’s revised Performance programs, e-books are integrated with Music Prodigy software to help students improve their skills and accelerate their development. Select lectures can be viewed through online videos, while class time can be focused on hands-on learning and Q&A sessions. The BYOD policy will also integrate video lectures with MI’s existing courses for industry standard software such as P
"}}opellerhead Reason, Avid Pro Tools and Sibelius, Apple Logic, Ableton Live and more.
 
“The online MI Bookstore is such a wonderful opportunity for music students to benefit from a 21st Century education,” said Rob Wallis, President of WBH MusicWorks. “We’re thrilled to make MI’s digital core curricular content available and easily accessible, in order to make the learning process faster and more interactive.”
 

1646

Orange County Drums and Percussion, a world renowned manufacturer of boutique drums and drum kits, has announced the introduction of their new ultra-heavyweight 25-ply Maple Snare drum.

The OCDP 25-ply Maple Snare has been custom engineered 

for the hard-hitting drummer 

with an independent, no-compromise style. OCDP has built a long respected reputation for high quality drums that stand out from the pack, and the new 25-ply Maple Snare extends that legacy well into the future.

This is not your grandfather's snare drum. With 25 plies of solid maple, the ultra heavy OCDP 25-ply Maple Snare is a serious drum, built for maximum tone and ultimate control. From subtle dynamics to a powerful crack, the new OCDP 25-plly Maple Snare is all about attitude - massive, fat tone, with a deep, powerful attack and a crisp, biting decay. This is the snare you reach for when it's time to break out the big back beat.

The new OCDP 25-ply Maple Snare fuses 25 maple plies into a 14-inch by 7-inch dual port package that looks as slamming as it sounds, with a cool silver sparkle fade finish and OCDP's signature offset lugs. It also features die-cast hoops and sleek black nickel plated hardware. It comes fitted with a premium Remo UT coated batter side head, and 20 steel strand snappy snares, adjustable via a standard OCDP forward throw-off.

"The snare is the centerpiece of a drummer's kit, and an expression of their personality," remarked OCDP Product Manager Gerry Helfrich "The new OCDP 25-plly Maple Snare drum delivers a big, bold, edgy sound that stands up and gets noticed. It's as individual as you and your music."

The OCDP 25-ply snare drum is available exclusively at Guitar Center and Musician's Friend.

 

 
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